Writers: this is why you need a web presence

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Writers are sometimes reluctant to ‘put themselves out there’ (as it’s often referred to) in terms of having a web presence.

Some of the common reasons cited:

– I don’t want people knowing about my private life
– My work should stand alone / speak for itself
– I don’t have time to be blogging, tweeting or wasting hours online
– It feels completely foreign to me
– It’s all so superficial and ‘me, me, me’

I could spend a lot of time and effort carefully questioning and counter-arguing these points, but I only do that if someone has asked for mentoring. If I’m in a class, or at an event or just having a conversation all I can do is try to inspire people, without pushing – either by example, or by telling stories – equipping people with all sides of the picture as best I can. If and when they change their minds the final motivation will come from within, not from someone saying ‘you ought to be doing this.’

It’s not just individual writers who can be social media refuseniks, it’s other areas of the publishing industry too. What the social web offers a small publishing press, for example, is a fantastic opportunity to ‘punch above its weight’. But too often the chance is missed.

So why do you need a web presence? How about “so that I’m not invisible”? Here are a couple of episodes to illustrate my point.

Example 1- publishers missing a trick

On two occasions in the last few months, I’ve read a debut poetry collection I’ve enjoyed, and wanted to feature the poets on my poetry blog. I’ve searched for their name on Google – ‘Fred Bloggs poet’ – and have found either nothing at all, or nothing that provides a method of contacting them.

Luckily, I ran into one of them at an event so was able to ask them for an email address, and the other I contacted their publisher, who forwarded my email to the poet.

One both occasions, once contacted, the poets responded promptly and were very happy to be featured since it exposed them to a new audience of readers and at least one review in a magazine. But if I’d had a long list of potential poets to feature, if I had less time or if I was less determined, I might have easily given up and moved onto someone else.

Interestingly, neither of the publishers involved followed up with me, or made much of the added exposure for their poet. It seems amazing to me that small poetry publishers, who we hear all the time are struggling for survival, wouldn’t make the most of the opportunity when offered free, unsolicited publicity. Did either of them send me a quick email to say ‘great review, thanks! can we send you the latest pamphlet from Joe Smith, in case you’d like to feature him too?’ or did they ‘like’ the blog post, leave a comment on the blog, mention it on their own website, even as a short news item, or tweet about it? No.

Example 2 – poets playing hard to get

I’m part of a newly-formed poets’ publishing collective. We work together to publish our own first pamphlets and promote one another’s writing career through social media and readings, with plans for skill-sharing workshops, an anthology and other events. Our strategy is not to call for submissions, but to approach individual poets who we feel would be a good fit, whose work we admire and who have yet to have a first pamphlet published.

There’s a lot of competition in poetry publishing – thousands of poets pay good money to enter pamphlet competitions in the hope of being published. You might think they would also make it easy for publishers to contact them. You know, in case the Faber poetry editor reads your wonderful poem in ‘The Rialto’ and wants to offer you a publishing contract. Or even if an events organiser wants to invite you to do a reading. Not so.

Several well-respected poets/magazine editors have offered us some names of poets they feel would be good to approach. They’ve taken the time and care to do this, as a favour. They believe it’s a wonderful opportunity for a few talented individuals they noticed.

So what happened? Of an initial list of ten names, three had no web presence at all, and of the four others we wanted to approach, two of them have proved impossible to make contact with. At least one of these did have a web presence but suggested the best way to contact them was via Facebook. Now, this assumes the person wanting to make contact is on Facebook themselves, and it also requires the poet to respond to messages from strangers on Facebook. In this case, our messages via Facebook have been unanswered.

I guess what I’m saying is, if you want your work to be read, and/or if you don’t want to miss out on career opportunities, you need to be contactable via a web search. At the very least get a free one-page profile at About.me and put an email address on it. And make it an address you do actually monitor! If you’re worried about spam then create a one-off email address at Yahoo and set it to forward to your ‘actual’ email box. Then if you have any trouble with it you can just shut down the Yahoo address.

And if you haven’t already then buy your domain name now. You can always park it until you’re ready to get a blog or a website or an email address that sounds like you own it.

Where to find images that are free to use

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The web is fuelled by images – just look at the popularity of sites like Pinterest and Flickr and photosharing apps like Instagram. Time and again, research shows that Facebook and Twitter updates containing photos are shared and liked more often than purely text-based updates.

But it’s not as simple as trawling Google Images for suitable pics to use. You could find yourself facing a serious fine for breaching copyright laws.

You have a number of options:

1) Use photos you’ve taken yourself
2) Commission a photographer. Do check that you’ll have ownership of (and permission to use as you wish) the resulting photos.
3) Create your own graphical images from scratch using photo-editing software
4) Contact the owner of copyrighted images you want to use, and ask permission. This may be granted for a fee, or in return for a link back and attribution.
5) Obtain images from a photo library, where you generally pay a license fee for each image you use (but sometimes it’s free).

The last option on the list is probably the easiest. Stock image libraries carry thousands of photos, are easy to search and generally charge reasonable fees. Some even have a free images section. But don’t ignore Flickr. The images you’ll find there are generally not as marketing oriented as those in commercial image libraries. Many Flickr users attach Creative Commons licences to their images, and although you need to check, quite often the terms of the licence allows the photos to be used freely (on, for example, a blog) in return for proper attribution.

There are many image libraries – here are few of the popular ones to check out – some with a free images section –

Dreamstime
Free Range
Morguefile
Pixabay
iStock
Stock Vault

Compfight is a useful site – it’s a search engine for Flickr, enabling you to find images based on the type of license you’re after.

Google Images can still be a useful tool in the search for free-to-use photos. Try the Advanced Search option. Here’s an example: let’s say I’d like to illustrate a blog post with a photo related to the TV series ‘Downton Abbey’. Unsurprisingly, my first search on Google Images brings up thousands of results.

Image search on Google images

If I go to the cog icon top right, there’s a drop down menu – when click on Advanced Search I get a page of options. Scrolling down I come to ‘Usage Rights’. Here I select ‘Free to use or share, even commercially’.

Advanced Image Search

Then I hit ‘search’, and the results pages should contain only free-to-use photos…

Image search 3

However, there are flaws with this – images can be stripped of their license details, saved and re-uploaded, which doesn’t make them free to use even though Google Images presents them as so being. In this example, one of the Downton Abbey photos, although obviously a still shot from the show, is actually on somebody’s Flickr page. And if I enter this page’s URL into an image recognition engine such as Tin Eye it throws up 156 other pages where this photo appears. Just because a photo is being widely shared it doesn’t mean it’s free to use. Just be aware of that.

How to make a profile header image

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Facebook was the first social network to introduce the big image banner on its profile pages, giving them a kind of blog-magazine look. Now it’s pretty standard – LinkedIn being the latest platform to roll it out. You can always stick with a standard old plain colour background or one of the free images that come with the platform. But why not create a custom image?

Your header image is a prime piece of online real estate – a strong header will increase your branding and visibility, showcase you or your work and help attract new connections. What I’m talking about here is the big image which spreads across the top and behind some elements of your profile page. (This is different from your profile photo/avatar/headshot.)

Here’s a quick run-through of what you need to know.

1) Find out the optimum size for your profile header image – this differs from one platform to another. (Remember that the image will display differently on tablets, mobile phones and computers with different size screen resolutions.)

Twitter - how to change your header image

You can change your Twitter header image in the settings as shown here, or just click ‘Edit Profile’ on your Profile page.

Recommended sizes are currently:

Twitter: (‘header image’) 1500 x 500 pixels, max 5mb

Facebook: (‘cover photo’) 851 x 315 pixels, minimum size 399 x 150 – but this will be stretched to fill.
There’s a great Facebook Page that explains in detail the current different areas of the cover picture, how it scales on mobile devices and more, so if you want to make a precise job of it then take a look and download the latest templates here.

LinkedIn: (header or ‘hero image’) 1400 x 425 pixels, max 4mb

YouTube Channel: (‘channel art’) 2560 X 1440 pixels. Refer to this helpful article to find out more, including how it will display on different devices.

Google Plus: (‘cover image’) Max size 2120 x 1192 pixels, minimum 480 x 270. However, to ensure maximum quality on all screens, tablets or smartphones, the recommended size is at least 920 x 250 px but not more than 1080 x 608 px, otherwise some of the information will get lost.

Here’s the Google+ step by step guide to uploading or changing your cover photo.

2) Check out what others are doing – find some striking examples of header images and get inspired.

3) Decide on what you want the image to convey. This is your showcase – what do you want to get across? Your personal ‘brand’? The genre or style of your writing? Something more specifically about your current book? Dates and times of forthcoming appearances? If your image is to contain specific information then make sure the important stuff is in the ‘safe’ areas of the image. Some of the resources referred to here will help you with that, or you can do it the old fashioned way – trial and error!

4) You can create a custom image even if you don’t have design tools like Photoshop. Check out Pixlr it’s a free online image manipulation software and easy to use.

5) Follow the instructions from your profile or settings page, and save your new header image. If it doesn’t quite fit or look right, you can tweak it and re-upload.

Facebook - update your cover image

In Facebook, hover over your cover photo and the ‘Update Cover Photo’ will appear – click on that

TIP: if you hit the ‘upload’ button but nothing happens, it could be that your image is too large (file size) or the wrong dimensions, or the wrong file type. You won’t always get a message telling you what the problem is. So if your image isn’t uploading double-check all the sizes and instructions about permitted file types (eg .jpg and .png may be permitted, but not .tif or .psd).

Six Reasons to have an Author Page on Goodreads

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Goodreads Author Page

Goodreads is a huge online community of readers, 25 million members and counting, but did you know there are over 100,000 authors in its Author Program? If you have published a book, even if it’s self-published, you can apply for an Author Page on Goodreads.

One of the key pieces of advice I give writers is to connect with your readers, rather than just market to them. Social media gives us the tools to grow our reader base one person at a time, and where better to do that than within a ready-made community of readers? Here are six good reasons why you should have an Author Page on Goodreads.

1) You can create interest in your books & develop a network of fans

This starts with a ‘stand out’ Author Profile Page. Make sure you upload a professional headshot for your photo and fill in your biog (this doesn’t need to be any more personal than the biog on your book’s dustjacket). There are other areas of your profile worth filling in – it all helps generate interest in you and your work. Here’s a good example of an Author Page. You should also make the most of your book(s) by creating dedicated book pages. Essential is a book cover (but it can’t be changed once you’ve uploaded it – so don’t put up a dummy or ‘working design’ cover). Give some details about the book, maybe even an excerpt. If you are a new author this is your chance to ‘sell’ your book. Here’s an example of a book page.

Remember also you are a reader not just an author – use Goodreads as a reader, by putting books on your ‘read’ ‘reading’ or ‘want to read’ bookshelves, list your influences, follow other authors, write reviews or rate books you’ve read, connect your blog feed* or post updates. All this activity gets seen by members – they’ll learn more about your reading interests and tastes and be more likely to take a look at your book(s) and even become fans to follow your updates. (*Only Goodreads Authors can connect their blog feed so that latest blog posts appear on their Author Page – regular members don’t have this facility.)

2) You can promote your books with Giveaways

Either in the run up to publication, or once it’s out, a Giveaway can kickstart interest in your book and generate a spike in reviews and follower numbers. Only give away what you can afford to (and remember shipping costs – you can always specify which countries are eligible). Start and end on odd days – May 6th – June 5th, for example, rather than May 1st – 31st. That way there will be less competition when your Giveaway starts.

Giveaways are listed on a special page and are very popular – and average 20 copy giveaway in the US attracts over 900 entries! People see the giveaways their friends are entering and often join in. It can be a good way to extend your reach into the Goodreads community.

3) You can build a body of good reviews and use them for promotional purposes

One of your aims as a Goodreads Author is to increase the number of reviews for your books, which starts with getting your books onto members ‘want to read’ lists. Every member has a newsfeed of activity, and friends’ activity shows up first. User-generated reviews are trusted, and when a member sees a friend’s review they’re more likely to have a look and place it on their ‘want to read’ list.

Basically, reviews help other users discover books. And not just within Goodreads – millions of readers share their reviews on Facebook, Twitter and other social networks. You can display your Goodreads reviews on your blog or website, if you wish, which can not only support sales of your books but may also encourage your blog readers to join Goodreads and enrich its value as a community still further.

4) You can have conversations with fellow readers/enthusiasts & invite questions

There are umpteen special interest groups on Goodreads. If you’re passionate about your genre or a specific sector, join a group and take part in discussions there. This is slow-burn strategy for building your network, well worth it in the long term. But it’s important not to join groups in order to sell your book. They are for discussion, nobody there wants the hard sell.

Another popular feature is ‘Ask the Author’. Once you start building a network of readers, open up for questions – you can set it for whatever period of time you wish, but make sure it’s a time when you’ll be around to answer the Qs. Take another look at Ayelet Waldman’s Author Page for an example of a ‘Ask the Author’ and the questions/answers it generated. It’s a great chance to answer individual questions, like a ‘meet the author’ session in real life.

There are plenty of other ways to overtly promote your books, and one of the most obvious is targeted ads.

5) You can extend your reach with ads

Ads on Goodreads run on similar lines to Facebook ads, in that you have control over how much you spend (pay per click), what the ads look like and targeting. Goodreads admin suggest broader targeting than on Facebook, because when you think about it you’re already targeting a niche – people who read and are interested in books and their authors.

According to Goodreads, a Giveaways backed by ads increases entries by up to 200. Ads are an opportunity to extend awareness of your books outside your circle of friends and fans. Make sure you include a call to action, and check your stats before, during and after your ad campaigns. Has the campaign resulted in more fans, more ‘want to read’s, more reviews? All these activities are building your influence on Goodreads, helping more readers to connect with you and discover your books.

6) Great things can result from having a strong Goodreads presence

Your books may get selected for site-wide exposure by being added to Listopia Lists and voted on by the community, or even featured in Goodreads newsletters. Both of these features brings you to the attention of more members and can thereby increase the numbers of fans, bookshelf listings and reviews for your books.

 

Improve your social web presence – for writers

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This coming Saturday I’m in Brighton at New Writing South running a one-day workshop on ‘Improving your social web presence’.

I know that there are readers of this blog and of my email newsletter who have already been on one of the three-evening courses I’ve run for NWS in the past. I’ve already been asked ‘will I learn anything new if I come along to this one-day course?’

The short answer to this is ‘possibly not’ – but it depends on whether you’ve put into practice what we covered on the previous course.

But I know how it often goes – you finish a course full of good intentions, but real life/ deadlines/writing gets in the way and you never quite settle into any social media routines. The blog never really gets going, the Twitter account starts to languish and you’re thinking “I really ought to be doing that social media stuff.”

If this sounds familiar then yes, you might find a one-day sessions will kick you off and get you actually DOING rather than thinking about doing. Or you might just think “OK I know this already but I need to be doing it.” If you’re someone who benefits from external kick-up-bum nudges then it may be what you need. But if in your heart of hearts you know you’re still not ready/willing/able to embrace the social media thang, then the day may not work for you.

What I do hope to cover is:
Why we’re doing it – where to start – what social media is good for (and what it’s not) – what to spend your time and creative energy on (and what to avoid) – how to make valuable connections – how to present yourself in a way that works for you – how to play (and enjoy) the long term game – how to keep social media in persepctive. Plus brilliant bluffs, scrumptious shortcuts, terrific tools and incredible insights.

This will be a general, channel-neutral day (in other words, we won’t focus exclusively on any one social tool or network, but take a broader view). If you’re looking specifically for Twitter or blogging help, sign up for my future workshops – Master Twitter in a Day (November 15th) and Set up a Blog in a Day (February 7 2015).

These’s no magic to social media, and I’m certainly not promising that a great blog or Twitter account is the key to fame and fortune, or even book sales. But these are powerful tools and channels that were never available before, and they’re here to stay – in one form or another. They have changed many aspects of our lives as writers. Understanding and adapting to that is crucial for anyone looking to further their writing career.

There are still places available for all three day courses – sign up here, or please pass on the details to anyone you know who may be interested. New Writing South members get 10% off.

8 Online Social Communities for Writers

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Writing can be a solitary activity, which may be one reason why online communities are often popular with writers. They can be useful places to network, discuss industry gossip, give and receive support for work-in-progress, learn about new opportunities, celebrate, commiserate or just be distracted.

Here are seven niche writers’ communities worth a look.

1) Book in a Week
“Write, write, write. What is important is getting the words down, creating a first draft. Editing and revising comes later.” Book-in-a-week is all about members motivating one another to write. The site provides helpful tools and resources, prompts, specific goals to aim for and camaraderie.

2) Writers’ Network
“Created in 2004, Writers-Network is a large online community devoted to pointing creative writers toward success.” There’s quite a bit of poetry, but writers of all creative genres and forms are welcome and active on the site. Members are encouraged to review others’ work and comment on it.

3) Writers Online
Writers Online is the internet creative writing community from the publishers of (UK based) Writing Magazine and Writers’ News. As well all the features you might expect – news of competitions, courses, reviews, how-to guides and a writers’ directory, it also has an active writers’ forum.

4) Trigger Street Labs
“Helping writers and filmmakers help themselves – since 2002.” Calling itself a ‘platform for exposure and discovery’, Trigger Street Labs is a community for screenwriters and filmmakers. Lots of industry news and contextual material.

5) Writertopia
Writertopia is a resource for writers looking to “hone his or her professional writing skills.” The site includes listings for events, readings and workshops, as well as portfolio management tools and online workshops.

6) Writers’ Cafe
WritersCafe.org is a forum for befriending other writers and entering writing contests. Topics of discussion range from inspiration to publicity and marketing. The site includes lists of literary agents, magazines and courses.

7) NaNoWriMo
November National Novel Writing Month, or NaNoWriMo for short, has been going since 1999 and grows every year. The goal is to write a 50,000-word novel by Nov 30, a perfect challenge if you work well under pressure. There are progress tracking features, widespread support and potential for in-person meetups in your area.

The event has spawned the poetry equivalent – NoPoWriMo, which runs during the month of April each year.

8) Campus
CAMPUS is an online community run by The Poetry School. Not only does it serve as an adjunct to the Poetry School’s in-person courses (there are many online courses to sign up for), it’s also a social place where poets can “come together to learn about and discuss poetry.”

Online communities tend to increase in value (to the user) over time, and their success depends upon a critical mass of engaged members (in other words, those who fill in their profiles fully, contribute regularly to discussion, start new topics and help make newbies feel welcome.) Another factor in a community’s success is the reliability and usability of the software and user interface, which can vary.

It’s worth spending a little time exploring and experimenting with a new community before deciding whether it’s for you – don’t give up too soon if you don’t ‘get it’ right away, or if it seems clunky; it could end up being much more useful than you imagined at first.

With thanks to Matt Petronzio at Mashable whose original article inspired this post and provided some of the community descriptions.

 

A basic SEO primer for writers, part 2

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There are some simple steps you can take to help get your blog, website or profile found on the web. In part 1 we looked at what search engines do, how to find your keywords & how and where to use them.

But finding and using relevant keywords (sometimes referred to as ‘on-page SEO’) is only one part of the process. As well as relevance (as determined by keywords), search engines also look for recency and authority.

Update, update, update

The web is choked with old material. Some of this is still pertinent today. But there are long-abandoned websites, obsolete links and ancient blog posts galore. In Google’s worldview, new is best. The more recent the material the better. It’s a rather crude measure, but the principle is that anything posted on blogs five years ago will have been superseded by more up-to-date information. And certainly when it comes to online shopping, news, sport, the economy, weather and a lot of the day-to-day stuff, last week is old news.

If your blog, website or profile pages hasn’t been updated for a while, search engines will deliver more recent pages in their results, and yours may slide in the rankings. That’s one reason why a blog (rather than, or in addition to, a static website) is a good idea. As long as you post new material to it regularly (more than once a month).

Some business bloggers will tell you that it pays to post something every day, or certainly every week – that the more regularly and frequently you post, the more likely you are to see your search rankings improve, which will bring more visitors to your pages, more subscriptions/comments, the lot. This can happen – although it’s not everyone’s experience – but if writing is your primary business, rather than pro blogging, you would probably have to think very hard about making that kind of time commitment to blogging.

It’s not who you know, it’s who knows you

To stand out in some way on the web, you need an authoritative presence. Authority, as measured by search engines, is demonstrated by a number of things, but it basically boils down to who knows you. One indicator is the quality of inbound links. There are websites and bloggers with proven authority – think BBC, national newspapers, Huffington Post, Mumsnet, Richard & Judy and so forth – and if they link to you, it’s seen as an indication of your authority.

You might reasonably be thinking ‘oh sure, I’ll just go and get my book reviewed at the Guardian – how easy is that?’ OK so it may not be so simple. But there are opportunities to be had once you start looking: commenting on articles, answering calls for reader stories, taking part in online workshops or discussions, guest blogging, submitting your blog or site to a directory.

Start with the ‘low hanging fruit’ – if you’re a member of a professional association, make sure your blog or website (or Facebook Page, if that’s your primary hub) is listed (with a link) in their online directory. Then go to the media sites in your niche and pitch an article, a guest blog, a review. Check out the social sites where your readers (or potential readers) hang out and see what you can contribute there. Always ask for a link to your blog or profile page in the byline. Be aware, however, that these days many links are ‘nofollow’ – which means search engines are directed not to follow them, and therefore won’t offer you any SEO benefit. So by all means link-build, but do it for the PR and exposure rather than purely ‘link juice’.

Getting inbound links used to be a mainstay of SEO, but these days authority is established and demonstrated as much by a person’s social web presence – who are you connected to? Who follows you/links to you/retweets you? Who has you in their circles?

Being a good social web citizen does pay off in terms of SEO. Do everything you can to facilitate this. For example, make sure your various social profiles link to your hub (whether it’s your blog/website, your Amazon author page, your Facebook Page or whatever).

If you’re interested, go over to Klout.com and find out how you fare in terms of social authority. Compare yourself to other writers in your field. But don’t get too hung up on Klout – it’s only an indicator.

The bottom line is this: by all means pay attention to SEO, but a strong social web presence will do wonders for your web visibility and is more likely to open doors.

Software updates for your blog – are they important?

Add Plugin Page WP 4.0 Benny
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If you have a hosted blog at, say, Blogger.com or WordPress.com, then one thing you don’t have to worry about is updating the software – it’s all done for you behind the scenes.

But if you self-host, it’s your responsibility. I sometimes get asked “Should I be worried about all those little red numbers on my dashboard, and messages telling me there’s a new version of WordPress, or my Theme, or a plugin?” The short answer is yes – although you could carry on without updating, and everything would probably work fine, there are reasons why it’s a good idea to stay on top of updates:

1) WordPress updates generally include a whole range of amendments to the code, including security fixes and improvements to the functionality of the software. In plain English, an update should make your site more secure from hackers and make it easier to do stuff.

2) Similarly, Theme updates can offer improved security, more design options and better compatibility with plugins. If you’ve paid for a premium theme, why not take advantages of updates? They’re like free upgrades, after all. An out-of-date Theme can cause plugins to work differently, or not at all.

3) Plugin updates are worth installing, again because they tend to bring improvements, and like Theme updates if you don’t run with them you risk them not working at some point in the future.

Non-functioning elements of a blog are not only annoying for you and for your readers, they can open the door to security breaches. You may think “No-one’s going to be interested in hacking into my blog!” but that’s not the point. Hackers, scammers and spammers have automated systems at work 24 hours on the web, looking for easy ways to peddle their own particular brand of ill-will. Unsecured blogs, no matter what they’re about, are fair game for them.

Warning – before installing updates:

1) first do a back-up of your blog

2) be aware that if you (or a developer) have done any customisation of your blog or Theme, or have any bespoke plugins, updating any of your blog software may affect those customisations. This is why it’s important to back everything up first. If you’re worried, as added precaution you can also take screenshots, which will help if (in the worst-case scenario) you need to rebuild everything!

The longer you leave updating, the riskier it can be to do so. So better to stay on top of it.

Today when I logged on I was prompted to update to WordPress 4.0 ‘Benny’. (Updates are given names, rather like hurricanes and computer viruses.) This short video explains the improvements it offers.

A basic SEO primer for writers, part 1

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It’s incredibly easy to be invisible on the web. One of the big questions I get asked is, unsurprisingly, when I put my name/book title/topic into Google, why does my blog/website not come up top?

To understand the answer to this, and to do something about it, requires a bit of basic knowledge about the art and science of helping webpages get found in searches – what’s commonly termed ‘search engine optimisation’, or SEO for short.

What search engines do (and don’t do)

  1. The goal of any search engine is to deliver up the most relevant results.
  2. As well as relevance, search engines look for authority and for recency.
  3. Search engines cannot ‘read between the lines’ or make intelligent assumptions. They take the words that are being searched for, scour webpages on which those words appear, rank those pages according to various criteria, and serve up the results. Yes, the calculations they employ (algorithms) are complex, but they are nothing compared to how the human brain operates – this is why we don’t always get the search results we’re expecting.

Once you’re clear about these 3 points it becomes easier to optimise your blog or website.

The exact algorithms used by search engines are top secret and change all the time. This is simply because there’s BIG MONEY in getting high Google rankings. For some businesses, such as financial services, travel and the big ecommerce sites, the difference between coming up 3rd or 13th in a search can be millions of pounds in lost business.

For you or me, it’s probably less crucial. But that doesn’t mean it’s not worth knowing a bit about the game.

Let’s start with keywords – the words or phrases people are searching for.

Finding your keywords

Try asking yourself this question, substituting various words or phrases for ‘ABC’:

When people search for ‘ABC’ on Google, I want them to find my blog/my author page on Goodreads/my article about XYZ.

Keep going until you have a list. They may be single words (eg ‘writer’), or phrases (eg your name, or ‘fantasy writer Kent’) or groups of words (eg ‘writer YA Man Booker’). Try different combinations of similar phrases. If you run out of ideas, scoot around the websites of others in your genre, or the discussion forums on Goodreads or niche community sites and see if any more phrases occur to you.

Now try searching for those phrases and see what comes up. At the very top of the search engine results page (sometimes this gets abbreviated to SERP) you can see how long the search took and approximately how many pages were searched. This tells you how competitive a phrase is. The more competition, the harder it’s going to be to be ‘top of Google’ for that phrase.

For example, no individual is ever likely to come top for the word ‘writer’, because there are about 202 million pages vying for top position:

search results - 'writer'

Think about how you conduct searches yourself – you probably try to be as specific as you can, don’t you? Which tends to involve a phrase or group or words rather than single words. Let’s say you’ve heard that there’s a Young Adult novel on the Man Booker Prize shortlist, but you don’t know the name of the author. You might search for ‘writer YA man booker’:

Search result

Notice that for this search there are a mere 808,000 pages deemed to be relevant. So the phrase is less competitive than ‘writer’ and more targeted. Compared to the search results for ‘writer’, these results look pretty close to what the searcher is looking for.

What about being found for your name? Surely that’s not too much to ask for? It depends. Here’s the SERP from a search for ‘Victoria Grefer’:

Victoria Grefer

Victoria has managed to dominate page one of Google. Because her name is relatively unusual, she starts with an advantage: there are just 16,700 pages competing to be found. Having said that, she has a good presence across a range of sites – her own website comes top, closely followed by her Goodreads page, her Twitter account, Facebook and Amazon.

Now if I search for Catherine Smith, this is what I get:

Catherine Smith writer search

Catherine is a writer with a national, if not international, reputation, but it’s harder for her to come top for her name alone. Look at the competition – nearly 16 million pages – and none of those photos is of her! Nonetheless her site does appear 4th on the page. A search for ‘Catherine Smith writer’ gives a very different result:

Catherine Smith writer search

(Bear in mind these results can differ depending on your search history, whether you’re logged into Google, whether you’ve visited a page many times before, and so on. Google tries to customise your results. So if you want an unbiased view of your rankings it’s a good idea to do so from a public computer.)

Once you have your keywords/phrases, you need to ensure they appear on the page you are optimising. This could be your blog ‘about’ page, or a page on your website or blog where you’re promoting your latest book, your author profile on a third-party site, or all of the above – it’s up to you.

Try to select just one or two keywords/phrases per page. If you try to be found for too many phrases then your page loses its specificity and its relevance to a search become diluted.

Where to put your keywords/phrases

  1. In the headline – the title of your article, blog post or web page
  2. In the first paragraph
  3. In any appropriate link text
  4. In the HTML of the page – Title, Description, Alt text (for images), Link Titles … you may or may not have access to all of these, depending on the blogging or webpage software you use. But these are all elements scoured by Google. Good SEO plugins for WordPress (self hosted) are All in One SEO or Yoast.

NB:

  • It’s important not to ‘keyword stuff’ as you’ll get penalised for that.
  • It’s important that your page still sounds natural and reads well. Write for your reader. There’s nothing worse that the ‘death by SEO’ articles that are all over the web – generally written purely with search engines in mind and devoid of useful content.

In part 2 I’ll talk a bit more about authority, links and how social media works with SEO.

 

 

Formatting text in WordPress

Standard

As writers, we’re probably fussier than most when it comes to how our words look on our blog. Typefaces, character- line- and paragraph-spacing, font size, margins and indents are all important … and that’s before we even get into poetry with all its particular forms and layouts.

Basic formatting

First of all, here’s a basic primer in getting text the way you want it to look, how to add links and tips on formatting in WordPress, using the standard Edit screen. Click on Create New Post and you’re in the Edit screen.

WordPress edit screen 1

Type something in the Title and Body boxes. When you hit the ‘Return’ key you automatically start a new paragraph.

WordPress edit screen 2

This Edit screen is a word processor, so while you’re in the ‘Visual’ tab it gives you a preview of the finished blog post, albeit without the actual styles – you need to hit ‘Preview’ button to see an ACTUAL preview. (The other tab, ‘Text’, allows you to see and type in HTML – click on it to have a look but don’t worry if none of it makes sense, you shouldn’t need to open this if you don’t want to.)

Now, with your cursor highlight some text you want to make into a hyperlink, then click the ‘link’ icon in the menu bar (looks like a chain).

WordPress edit screen 3

The ‘Insert link’ box will pop up:

WordPress insert link

Paste in the destination link, give it a Title if you wish (a short description or the name of the page the link goes to), and if you want to link to open in a new window (if it’s an external link, for example) check that box. Then hit ‘Add Link’ and your linked text will appear underlined:

WordPress edit screen 5

The formatting menu

Many of the icons on the formatting menu bar will be familiar from word processing programs – underline, bold and lists, for example. Others you should explore to see what they do.

Particularly useful is the paragraphs styles drop-down menu. Highlight the text you want to make into a subhead, for example, and then choose one of the Headings sizes. Your Theme will have styles assigned to each of these, so try one or two out and see how they look. The sub-headings in this blog post are ‘Heading 3’, for example.

Paragraph styles in WordPress

Another useful formatting option is left or right indent, which is useful if you have a quote which you want to stand out. (A further option for this is the ‘Preformatted Text’ or just ‘Pre’ option under paragraph styles.)

Just remember – you first have to highlight the text you want to format or make into a link, then click the relevant icon.

There are other things you can change with the formatting menu, such as font colour, but just be aware that this will override your Theme’s styles and can end up looking messy. I would also avoid the ‘underline’ function, as this always causes confusion as to whether or not a word is a hyperlink.

Basically have fun experimenting – you can preview any changes and you can delete or amend anything, even after publishing.

Pasting from Word

WordPress has always had a slight issue with text that’s been formatted in word processing software (such as MS Word). It can mess up the formatting if you post directly from a Word document into the Edit Screen while in the Visual tab. There’s a more detailed explanation of this here. Historically, the ways around this were either to click on the ‘Paste from Word’ icon in the Formatting Menu (which works sometimes but not always), or to paste under the Text tab (but this means you have to re-do ALL the formatting), or copy your Word document into a plain text program such as TextEdit or NotePad, THEN paste into the Edit Screen. Tedious!

However, WordPress 3.9 (April 2014) claims to have solved the issue – yet another good reason to keep your version of WordPress up to date! 

Want to make more changes?

If you want to make changes beyond what you can do in the Edit screen, then the means available to you depends on whether you have a hosted blog at WordPress.com, or a self-hosted blog.

First of all, many decisions about fonts, spacing and the like are dictated by the styles of your chosen Theme. Themes do allow a certain amount of customisation, but it’s unlikely to be more than logo and colour schemes.

WordPress.com: If you (or someone you know) understands code, and is capable of making changes to the styles, then you can buy the Custom Design upgrade for $30 per year (per blog). This gives you access to the CSS (Styles) and the world is your oyster.

Self-hosted WordPress: You (or your techie help) have full access to the code and can make changes to the CSS at any time. But a less scary option might be to install pugins for whatever it is you want to change. A plugin is a piece of ‘add-on’ software that someone has already configured, so you don’t have to get your hands dirty. For example, if you want to choose from a larger range of fonts, you could install the free ‘Easy Google Fonts’ plugin.

There are millions of plugins for just about anything you want to do on your blog – access the Plugins Library from your Dashboard side menu, click the ‘Add New’ button and search by keyword. Be sure to read about the Plugin before installing it. Anyone can create plugins and they’re not all great, so check to see how many people have downloaded it, how many ‘stars’ it has got, how recent is the latest version. The best plugins are those that are kept up to date and actually work.